Shallops were sometimes called Tilt-boats, a tilt being a covered section or primitive cabin for sheltering passengers. The canopy of the Lord Mayor's State Barge is covered with blue cloth. Two different types of cloth were used for the awnings of ceremonial barges: blue cloth which was called "Plunkett", indicating a civic event; and "Murrey", a red cloth used on Royal occasions. One way to display wealth was to drape an expensive carpet over the vessel's Tilt. Rich and powerful men displayed their wealth and status by decorating their Shallop with gilded carvings. They also dressed their crew in splendid livery.
The Sovereign, too, travelled on the Thames on ceremonial journeys or just mundane travel on an elaborately decorated state barge. The earliest mention of a Royal Shallop was in 1214 when King John travelled to the signing of Magna Carta, near Runnymede on the Thames. Shallops were built in various sizes. The largest of the private shallops were eight oared, with six and four-oared versions being the smaller and slower vessels. In 1717 the Daily Courant reports that King George I was entertained during a progress on the Royal Barge from Whitehall to Chelsea by musicians playing Handel's " Water Music" from a City Company Barge that followed the Royal Barge. "His Majesty liked" the music "so well, that he caused it to be plaid over three times in going and returning." The post of Royal Bargemaster survives today, attending the Sovereign in ceremonial processions such as the State Opening of Parliament. Barges belonging to the City Companies always accompanied the Royal procession.
There are historic state barges still in existence at the
National Maritime Museum in Greenwich.
They are the survivors of the Golden Age of Thames river travel.
Some of the museum exhibits are:
The book Hornblower and the Atropos by C.S. Forester has a scene set on a barge on the Thames.
The romance Something Wicked by Jo Beverley has a scene set on a private barge on the Thames.
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